Peter Szendy, “The Confidence-Image (Melville, Godard, Deleuze),” in Handsomely Done: Aesthetics, Politics, and Media after Melville, ed. Daniel Hoffman-Schwartz (Northwestern University Press, 2019); from French
Anselm Haverkamp, “In/Doors: The Dialectic of Inside and Outside,” in Productive Digression: Theorizing Practice (de Gruyter, 2017); from German, with Barbara Natalie Nagel
Anselm Haverkamp, “To Destroy Painting: The Baroque Caesura of History,” in Productive Digression: Theorizing Practice (de Gruyter, 2017); from German
Anselm Haverkamp, “The Scandal of Metaphorology: Hans Blumenberg’s Challenge,” in Telos 155, Spring 2012, special issue on Hans Blumenberg; from German, with Barbara Natalie Nagel
Dirk Mende, “Histories of Technicization: On the Relation of the History of Concepts and Metaphorology in Hans Blumenberg,” in Telos 155, Spring 2012, special issue on Hans Blumenberg; from German, with Barbara Natalie Nagel
Anselm Haverkamp, “But Mercy is Above: Shylock’s Pun of a Pound,” in Haverkamp, Shakespearean Genealogies of Power (New York: Routledge, 2011); from German, with Barbara Natalie Nagel
Anselm Haverkamp, “The Future of Violence: Machiavelli and Macbeth,” in Haverkamp, Shakespearean Genealogies of Power (New York: Routledge, 2011); from German, with Barbara Natalie Nagel
Anselm Haverkamp, “Perpetuum Mobile: Shakespeare’s Perpetual Renaissance,” in Haverkamp, Shakespearean Genealogies of Power (New York: Routledge, 2011); from German, with Barbara Natalie Nagel and Anthony Reynolds